Tomislav Gotovac

Noises 1, collage, 46 x 57.5 cm, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Noises 2, collage, 46 x 57.5 cm, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Untitled (Narodna banka), collage, 32.5 x 18.5 cm, 1965, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
The Forenoon of a Faun, 16 mm film, 9 min, 1963, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Straight Line (Stevens - Duke), 16 mm film, 9 min, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Circle (Jutkevič - Count), 16 mm film, 12 min, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Showing Elle, gelatin silver print, 1962, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Breathing the Air, 3 b/w vintage photographs, 24 x 18 cm each, 1962, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar. Photo: Ivica Hripko thumbnail
Hands, 3 b/w vintage photographs, 24 x 18 cm each, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar. Photo: Petar Aranđelović thumbnail
Heads, 12 bw photographs, 30 x 23 cm, 1970, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Zagreb, I Love You!, performance, Zagreb, 1981, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Reading the newspaper, performance, 1980, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Cleaning of public spaces, performance, Zagreb, 1981, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar. Photo: Ivan Posavec thumbnail
Zorah, object, 1970, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Sarah, installation, 1977, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar thumbnail
Noises 1, collage, 46 x 57.5 cm, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Noises 1, collage, 46 x 57.5 cm, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Noises 2, collage, 46 x 57.5 cm, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Noises 2, collage, 46 x 57.5 cm, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Untitled (Narodna banka), collage, 32.5 x 18.5 cm, 1965, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Untitled (Narodna banka), collage, 32.5 x 18.5 cm, 1965, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

The Forenoon of a Faun, 16 mm film, 9 min, 1963, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

The Forenoon of a Faun, 16 mm film, 9 min, 1963, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Straight Line (Stevens - Duke), 16 mm film, 9 min, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Straight Line (Stevens - Duke), 16 mm film, 9 min, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Circle (Jutkevič - Count), 16 mm film, 12 min, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Circle (Jutkevič - Count), 16 mm film, 12 min, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Showing Elle, gelatin silver print, 1962, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Showing Elle, gelatin silver print, 1962, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Breathing the Air, 3 b/w vintage photographs, 24 x 18 cm each, 1962, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar. Photo: Ivica Hripko

Breathing the Air, 3 b/w vintage photographs, 24 x 18 cm each, 1962, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar. Photo: Ivica Hripko

Hands, 3 b/w vintage photographs, 24 x 18 cm each, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar. Photo: Petar Aranđelović

Hands, 3 b/w vintage photographs, 24 x 18 cm each, 1964, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar. Photo: Petar Aranđelović

Heads, 12 bw photographs, 30 x 23 cm, 1970, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Heads, 12 bw photographs, 30 x 23 cm, 1970, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Zagreb, I Love You!, performance, Zagreb, 1981, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Zagreb, I Love You!, performance, Zagreb, 1981, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Reading the newspaper, performance, 1980, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Reading the newspaper, performance, 1980, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Cleaning of public spaces, performance, Zagreb, 1981, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar. Photo: Ivan Posavec

Cleaning of public spaces, performance, Zagreb, 1981, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar. Photo: Ivan Posavec

Zorah, object, 1970, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Zorah, object, 1970, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Sarah, installation, 1977, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Sarah, installation, 1977, courtesy Tomislav Gotovac Institute and Galerija Gregor Podnar

Born in Sombor, Serbia in 1937 and died in Zagreb, Croatia in 2010.

Gotovac is considered the precursor of performance art in Croatia and the former Yugoslavia, and an important figure in the development of the artistic avant-garde in Europe during the 1960s and 1970s. He began his career with works in photographic medium and then he moved on to produce collages, films, performances and actions. The artist made a number of avant-garde structuralist films that positioned him as one of the most important experimental filmmakers in the European historical context. Gotovac’s artistic expression was based on a creative and existential persistence in identifying art and life and with this approach he clearly demonstrated that subversion and inclination to experimentation in the formal visual language leads to finding solutions for complex and multi-layered artistic visions.

Selected solo exhibitions

2017
Tomislav Gotovac: Retrospective exhibition, Museum of Modern and Contemporary Art, Rijeka, Croatia.
Tomislav Gotovac: Marshal Tito Square, I love you!, Institute for Contemporary Art Zagreb, Croatia.

2016
Circles, Galerija Gregor Podnar, Berlin, Germany.

2015
Tomislav Gotovac: Reading Daily Mail, Institute for Contemporary Art, Zagreb, Croatia.

2014
Newspaper Art by Tomislav Gotovac, P74 Gallery, Ljubljana, Slovenia.
Tomislav Gotovac: Public and Intimate, Alexander Gray Associates, New York City, USA.
Artists, Amateurs, Alternative Spaces: Experimental Cinema in Eastern Europe 1960-1990,
National Gallery of Art, Washington DC, USA.
Tomislav Gotovac: Total Gotovac, Espaivisor, Valencia, Spain.
Tomislav Gotovac: Pure Words, Galerie Michaela Stock, Vienna, Austria.

2013
Zagreb, I love you! by Tomislav Gotovac in frame of Ivan Posavec, Radnička Galerija, Zagreb, Croatia.
Speak quietly, Filmprogramm, Kunsthalle Wien Karlsplatz, Vienna, Austria.

2012
Zagreb, I love you!, galerie frank elbaz, Paris, France.
It all started on the Rio Grande, where I Was a Male War Bride and saw the Tragic Hunt on the Battle Ground and heard The Glenn Miller Story, Instytut Awangardy / Edward Krasinski Studio, Warsaw, Poland.
Tomislav Gotovac a.k.a. Antonio G. Lauer: One Needs to Live Self Confidently…Watching,
Galerija Nova, Zagreb, Croatia.

2011
Tom & Tom presents: Divine Engine, Outside (Hardware), Muzej Mimara, Zagreb, Croatia.

2009
Gone with the Wind, Museum of Modern Art, Mala galerija, Ljubljana, Slovenia.

2008
Krajiška 29, Gallery Waldinger, Osijek, Croatia.

2006
Steel Net, Modern Gallery, Studio Josip Račić, Zagreb, Croatia.

2005
Tomislav Gotovac a.k.a. Antonio G. Lauer, Galerija Nova, Zagreb, Croatia.

2003
Speaking of Pictures, Museum of Contemporary Art, Zagreb, Croatia.

1994
Point Blank, Installation and performances, Franklin Furnace Archive, New York City, USA.
Déjà vu Films of Tomislav Gotovac, Kinoteka, Zagreb, Croatia.

1992
Point Blank, Karas Gallery Salon, Zagreb, Croatia.

1990
Hot water, collages and films, Moderna Vremena Bookstore, Zagreb, Croatia.

1988
Collages, Dom JNA Gallery, Zagreb, Croatia.
Collages, Sesame Gallery, Dubrovnik, Croatia.

1986
Paranoia View art, Retrospective of Documents 1956-1986, DDT Gallery, Zagreb, Croatia.

1984
Twenty Years Before Collages 1964 (II), PM Gallery, Zagreb, Croatia.

1982
Reading the Daily News, Galerija Škuc, Zagreb, Croatia.

1981
Films – Komunales Kino, Frankfurt, Duisburg, Dortmund, Hamburg, Berlin, Munich, Germany; Vienna, Austria.

1979
Collages 1964, Studio of Gallery of Contemporary Art Gallery, Zagreb, Croatia.
Films, Screenings, Netherlands Filmmuseum, Amsterdam, Netherlands.
Shaffy Theatre, Amsterdam, Netherlands.
Film Huis, Utrecht, Netherlands.
Gementemuseum, The Hague, Netherlands.
Akademia Minerva, Grongingen, Netherlands.
Centre Geourges Pompidou, Paris, France.
Rijksmuseum Kröller-Müller, Otterlo, Netherlands.
Film Makers Co-op, London, United Kingdom.
London College of Printing, London, United Kingdom.
Slade School of Fine Art, London, United Kingdom.

1978
Retrospective of films, Kino-klub Zagreb,  Zagreb, Croatia.
Kino Zlatna vrata, Split, Croatia.
Films, Galeria Sztuki LDK Labirynt, Lublin, Poland. (on tour: Lodz & Warsaw, Poland)

1977
Films of Tomislav Gotovac, MM Center SC, Zagreb, Croatia.

1976
Tomislav®, Gallery of the Student Cultural Centre (SKC), Belgrade, Serbia.

Selected group exhibitions/screenings

2017
documenta 14, Athens, Greece.
documenta 14, Kassel, Germany.
Forms and Politics of Yugoslav Experimental Film, Pera Museum, Istanbul, Turkey.
Non-Aligned Art – Mariko Sudac Collection, Ludwig Museum, Budapest, Hungary.
Der Canaletto Blick. Erste Campus, Vienna, Austria.

2016
Cold Front from the Balkans, Pera Museum, Istanbul, Turkey.
My sweet little lamb (Everything we see could also be otherwise), Galerija Nova and other venues, Zagreb, Croatia.
Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, FM Centro per l’Arte Contemporanea, Milan, Italy.
Art in Europe 1945–1968: Facing the Future, ZKM Center for Art and Media, Karlsruhe, Germany.
Monuments Should Not Be Trusted: Art and Society in Yugoslavia from the 1960s to 1980s, Nottingham Contemporary, Nottingham, United Kingdom.

2015
Construction to Transmission: Art in Eastern Europe and Latin America 1960–1980, MoMA- Museum of Modern Art, New York City, USA.
Art of Appropriation / Interpictoriality / Performance, Galerie Michaela Stock, Vienna, Austria.
Artists, Amateurs, Alternative Spaces: Experimental Cinema in Eastern Europe 1960-1990, Brooklyn Academy of Music, New York City, USA.
Avant-Garde Cinema from Ex-Yugoslavia: 1950s-80s, Northwest Film Forum, Seattle, USA.
Appropriation / Performance / part 1, Galerie Michaela Stock, Vienna, Austria.
24 Days of Croatian Film, Kino Tuškanac, Zagreb, Croatia.
L’expé d’un ex-pays: le cinéme d’avant-garde en ex-Yoguslavie (1950-1980), Cinémathèque québécoise, Montréal, Canada.
Eighties — Sweet Decadence of Postmodern, Croatian Association of Artists (HDLU), Zagreb, Croatia.
Gender as a Camera Performance, Galeria Fotografii pf, Poznań, Poland.
Yugoslav Avant-Garde Cinema 1950s-1980s: Ex-film from an Ex-Land, Berkeley Art Museum and Pacific Film Archive, California, USA.
Chercer le garçon, Musée d’art contemporain du Val de Marne, Vitry-sur-Seine, France.
My Body is the Event: Vienna Actionism and International Performance, Museum Moderner Kunst, Vienna, Austria.
Avant-Garde Cinema from Ex-Yugoslavia 1950s-80s, Anthology Film Archives, New York City, USA.
Grammar of Freedom / 5 Lessons, Garage Museum of Contemporary Art, Moscow, Russia.
Art has no alternative (An Archive of Artists in Action), tranzit.sk, Bratislava, Slovakia.

2014
Anarchy. Utopia. Revolution / Filmclub related to the exhibition, Ludwig Museum, Budapest, Hungary.
Vlado Kristl 2: Croatian Avant-Garde, Tate Modern, London, UK.
Death: the Beginning of the End or the End of the Beginning, 7. Zagrebi! Festival, Zagreb, Croatia.
Personal Cuts: Art Scene in Zagreb From 1950s to Now, Musée d’Art Contemporain, Nîmes, Nîmes, France.
50 Artists from the Collection of the Museum of Contemporary Art — Yugoslav Art from 1951 to 1989, Heritage House, Belgrade, Serbia.
artevida: corpo [body], curated by Adirano Pedrosa and Rodrigo Moura, Fundação Casa França-Brasil, Rio de Janeiro, Brasil.
Le Mouvement: Performing the City, The City Performed, Kunsthaus CentrePasquArt, Biel/Bienne, Switzerland.
Helsinki Photography Biennal, Hippolyte Photographic Gallery, Helsinki, Finland.
Report on the Construction of a Spaceship Module, New Museum / Museum as Hub, New York City, USA.
Extravagant bodies: Extravagant age, Museum of Modern and Contemporary Art, Rijeka, Croatia.
Cultural Center, Belgrade, Serbia.
The Present and Presence: Repetition 4—Micro-political Situations, Museum of Contemporary Art, Ljubljana, Slovenia.

2013
Biographical Forms. Construction and Individual Mythologies
, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.
Extravagant bodies: Extravagant age, Klovićevi dvori, Zagreb, Croatia.
Cinema by Other Means, Muzej savremene umetnosti Belgrade / Galerija-legat Milice Zorić i Rodoljuba Čolakovića, Belgrade, Serbia.
Video, television, anticipation, Salon Muzeja savremene umetnosti, Belgrade, Serbia.
… Was ist Kunst? … Resuming Fragmented Histories, Künstlerhaus Halle für Kunst & Medien, Graz, Austria.
The Naked Man, Ludwig Múzeum, Budapest, Hungary.
Zero Point of Meaning. Non-functional, non-representational, elementary, experimental and conceptual photography in Croatia, Camera Austria, Graz, Austria.
Tomislav Gotovac & Sandro Đukić: Speak Quietly, Galerie Michaela Stock, Vienna, Austria.
The Present and Presence: Repetition 3, The Street, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.

2012
The Freedom of Sound: John Cage behind the Iron Curtain, Ludwig Múzeum, Budapest, Hungary.
Nackte männer von 1800 bis heute / Nude Men from 1800 to the present, Leopold Museum, Vienna, Austria.
Der Nackte Mann / The Naked Man, Lentos Kunstmuseum, Linz, Austria.
The Present and Presence: Repetition 2, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.
Week-end croate / Croatian Weekend, MAC/VAL Musée d’art contemporain du Val-de-Marne, Vitry-sur-Seine, France.
Zagreb kino klub, Performance, action & film, Centre Georges Pompidou, Cinema 2, Paris, France.
Yugoslav Experimental cinema, Anthology Film Archive, New York City, USA.
The Present and Presence: Repetition 1, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.
Spirit of Internationalism, Van Abbemuseum, Eindhoven, Netherlands.
Una sexta parte de la Tierra. Ecologías de la Imagen / One Sixth of the Earth. Ecologies of Image, MUSAC- Museo de Arte Contemporáneo de Castilla y León, León, Spain.

2011
Zero Point of Meaning. Non-functional, non-representational, elementary, experimental and conceptual photography in Croatia, Umjetnički paviljon, Zagreb, Croatia.
Museu de les narratives paral-leles / Museum of Parallel Narratives, Museu d’Art Contemporani, Barcelona, Spain.
We can’t promise to do more than an experiment: Experimental film and beyond in Yugoslavia in 60s and 70s, Museu d’Art Contemporani, Barcelona, Spain.
Tomislav Gotovac a.k.a. Antonio G. Lauer & BadCo., Croatian Pavilion, 54th Biennale di Venezia, Venice, Italy.
Zagreb, I love you!, Galerija Klovićevi dvori, Zagreb, Croatia.
Accomplices. The Photographer and the Artist around 1970, Museum of Modern Art, Warsaw, Poland.
Socialism and Modernity: Art, Culture and Politics 1950-1974, Museum of Contemporary Art, Zagreb, Croatia.
Museum of Affects. In the framework of L’Internationale, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.
Festival des Cinémas Différents et Expérimentaux de Paris, Cinéma Les Voûtes, Paris, France.

2010
Promises of the Past. A Discontinuous History of Art in Former Eastern Europe, Centre Georges Pompidou, Paris, France.
As Soon as I Open My Eyes I See a Film, former Gallery of Contemporary Art, Zagreb, Croatia.
Workers Leaving the Workplace, Muzeum Sztuki, Lodz, Poland.
This is all film: Experimental film in Yugoslavia 1951-1991, Museum of Modern Art, Ljubljana, Slovenia.
An Idea for Living, Realism and Reality in Contemporary Art in Slovenia, U3 – Triennial of Contemporary Slovenian Art, Ljubljana, Slovenia.
Gender Check – Femininity and Masculinity in the Art of Eastern Europe, Zacheta National Gallery of Art, Warsaw, Poland.
Masqué, Magazin4, Bregenzer Kunstverein, Bregenz, Austria.

2009
As soon as I open my eyes I see a film: Experiment in the Art of Yugoslavia in the 60′s and 70′s, Visual Introspection Center, Bucharest, Romania.
Gender Check – Femininity and Masculinity in the Art of Eastern Europe, Museum Moderner Kunst Stiftung Ludwig, Wien, Austria.
Performing the East, Salzburger Kunstverein, Salzburg, Austria.

2008
Kontakt… Works from the Art Collection of Erste Bank Group, Institute of Contemporary Art, Dunaújváros, Hungary.
Why here is always somewhere else, Badischer Kunstverein, Karlsruhe, Germany.
Cutting Realities. Gender Strategies in Art, Austrian Cultural Forum, New York City, USA.
As soon as I open my eyes I see a film: Experiment in the Art of Yugoslavia in the 60′s and 70′s, Museum of Modern Art, Warsaw, Poland.

2007
Romantischer Konzeptualismus, Bawag Contemporary, Bawag Foundation, Vienna, Austria.
Kunsthalle Nürnberg, Nürnberg, Germany.
Kontakt Belgrade… works from the Collection of Erste Bank Group, Museum of Contemporary Art, Belgrade, Serbia.
On unknown Works, Galerija ŠKUC, Ljubljana, Slovenia.

2006
Antonio Lauer: Stupid Antonio presents, Galerija Klovićevi dvori, Zagreb, Croatia.
On unknown works, Galerija Nova, Zagreb, Croatia.
Galerija Otok, Dubrovnik, Croatia.
Galerija ŠKUC, Ljubljana, Slovenia.

2005
EAST ART MUSEUM. An exhibition of the East Art Map, A (Re)Construction of the History of Contemporary Art in Eastern Europe, Karl Ernst Osthaus-Museum, Hagen, Germany.
Insert, Museum of Contemporary Art, Zagreb, Croatia.
Museum of Modern and Contemporary Art, Rijeka, Croatia.
Kontakt – … aus der Sammlung der Erste Bank-Gruppe, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria.

2004
Collected Views from East of West, Generali Foundation, Vienna, Austria.
Flipside, Artists Space, New York City, USA.
Arteast 2000+, selection of works from international and national collection, Museum of Modern Art, Ljubljana, Slovenia.
Ailleurs, ici, Musée d’Art Moderne de la Ville de Paris (ARC), Paris, France.

2003
In the Gorges of the Balkans, Kunsthalle Fridericianum, Kassel, Germany.
Utopia Station, 50th Biennale di Venezia, Venice, Italy.
Marking the Territory, Irish Museum of Modern Art, Dublin, Ireland.
The Slowness of Light, Kyoto Biennale, Kyoto, Japan.

2002
The Misfits, Expo Park, Moscow Kunstraum Kreuzberg / Bethanien, Berlin, Germany.
Muzej na sovremenata umetnost, Skopje, Macedonia.
Here Tomorrow, Glyptotheque, Sculpture Museum, Zagreb, Croatia.
In search of Balkania, Neue Galerie Graz, Universalmuseum Joanneum, Graz, Austria.
Helle Nächte, Stadtkino, Basel, Switzerland.
ARTEAST 2000+ The Art of Eastern Europe, ZKM, Karlsruhe, Germany.
Čifte amam, Skopje, Macedonia.

2001
Ausgeträumt …, Wiener Secession, Vienna, Austria.
Retrospective of Croatian experimental film, São Paolo, Brazil.
Digital Orgy: The Third Bangkok Experimental Film Festival, Bangkok, Thailand.
Body and the East, Exit Art, New York City, USA.
ARTEAST 2000+ The Art of Eastern Europe, Orangerie Congress, Innsbruck, Austria.
What, how and for whom – on the occasion of 153rd anniversary of Communist Manifesto, Kunsthalle Exnergasse, Vienna, Austria.
Project Broadcasting: dedicated to Nikola Tesla, Tehnički muzej, Zagreb, Croatia.

2000
2000+ The Art of Eastern Europe in Dialogue with the West, Museum of Modern Art, Ljubljana, Slovenia.
What, how and for whom – on the occasion of 152nd anniversary of Communist Manifesto, Dom hrvatskih umjetnika, Zagreb, Croatia.
Small country for a big vacation, Galerija Škuc, Ljubljana, Slovenia.

1999
Aspects/Positions: 50 Years of Art in Central Europe 1949-1999, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria.
20er Haus, Vienna, Austria.
Ludwig Múzeum, Budapest, Hungary.
Fundació Joan Miró, Barcelona, Spain.
Hansard Gallery, Southampton, United Kingdom.
City Gallery, Southampton, United Kingdom.

1998
Avant-Garde Film and Video of Central Europe, London, United Kingdom.
Body and the East, Museum of Modern Art, Ljubljana, Slovenia.
33rd Zagreb Salon: Cityscape, Klovićevi dvori, Zagreb, Croatia.

1994
Keep that Frequency Clear, Dom hrvatskih likovnih umjetnika, Zagreb, Croatia.
Words & Images, Museum of Contemporary Art, Zagreb, Croatia.

1992
Requiem in Croatia, Art radionica Lazareti, Galerija Sesame, Dubrovnik, Croatia.

1991
Artist in the Landscape of War, Museum of Contemporary Art, Zagreb, Croatia.
For Defense and Reconstruction of Croatia, Umjetnički paviljon, Zagreb, Croatia.

1990
Avant-Gardes Yougoslaves / Yugoslav Avant-Garde, Musée d’Art, Toulon, France.
Musée des Beaux- Arts, Carcassonne, France.
Musée de l’Abbaye Sainte Croix, Les Sables d’Olonne, France.
Rhetorical Image, New Museum of Contemporary Art, New York City, USA.

1988
Glass Submarin, Minoriten Kirche, Krems/Stein, Austria.

1987
Glamour Behind the Velvet Curtain: Egoist Arts & Parts, Galleria Il Diaframma, Milano, Italy.

1980
The New Aspects of European Experimental Cinema, Cinema Ritz, Il Gergo Inquieto, Genova, Italy.

1980
New Screenings, Museum of Modern Art, Oxford, United Kingdom.

1979
2nd New Exhibition in Podroom, Podroom, Zagreb, Croatia.
Sequences, SKC Gallery, Belgrade, MM Center SC, Zagreb, Croatia.
Themes and Functions of the Medium of Photography, Museum of Contemporary Art, Belgrade, Serbia.
Experiment ’79, Stedelijk Museum, Amsterdam, Netherlands.
Works and Words, De Appel, Amsterdam, Netherlands.

1978
Posters / Works by artists, Museum of Contemporary Art Salon, Belgrade, Serbia.
Salon Tribine mladih, Novi Sad, Serbia.
For Art in Mind, Podroom, Zagreb, Croatia.
Motovun Art Meetings, Motovun, Croatia.
Works in Podroom, Podroom, Zagreb, Croatia.
The New Art Practice in Yugoslavia 1966 – 1978, Gallery of Contemporary Art, Zagreb, Croatia.
T-6 New Tendencies 6, Centre for Culture and Information, Zagreb, Croatia.

1976
New Photography 2: Photography as Art, Salon of Museum of Contemporary Art, CEFFT, Zagreb, Croatia.
Razstavni salon Rotovž, Maribor, Slovenia.

1970
4th Genre Film Festival GEFF, Zagreb, Croatia.

1967
3rd Genre Film Festival GEFF, Zagreb, Croatia.

1965
2nd Genre Film Festival GEFF, Zagreb, Croatia.

1963
1st Genre Film Festival GEFF, Zagreb, Croatia.

Public Collections
Centre Georges Pompidou, Musée National d’Art Moderne, Paris, France.
Cultural Center, Vela Luka, Croatia.
Kontakt. The Art Collection of Erste Group, Wien, Austria.
Modern Gallery, Zagreb, Croatia.
Museum of Contemporary Art, Belgrade, Serbia.
Museum of Contemporary Art, Zagreb, Croatia.
Museum of Modern Art, Ljubljana, Slovenia.
MoMA- Museum of Modern Art, New York City, USA.
Museum of Modern and Contemporary Art, Rijeka, Croatia.
National Museum, Zadar, Croatia.