IRWIN

Malevich Between Two Wars (Dušan Mandič), mixed media, 77 x 51 cm, 1984-2001  thumbnail
Black Square on Red Square (Moscow), colour photograph, 120 x 112 cm (framed), 1992-1997. Photo: Kineton Pictures thumbnail
Mistery of the Black Square, colour photograph, 160 x 140 cm, 1995. Photo: Andres Serrano thumbnail
Corpse of Art, mixed media installation (acrylic resin on wood, clothes, wax, flowers), variable dimensions, 2003-2004 thumbnail
IRWIN Live, installation/performance at CCA, Warsaw, 1998. Guest artist: Zbigniew Libera thumbnail
The Heart of Transcentrala, exhibition view at Ludwig Museum, Budapest, 1996 thumbnail
IRWIN Icons, exhibition view at Venice Biennal 2003, 1993 - 2003 thumbnail
Red Districts, blood, coal, oil on canvas, wood, marble, aluminium, gold, iron, glass, 350 x 420 x 40 cm, 1987 thumbnail
Blood & Loyalty, wood, tar, glass, oil on canvas, 71 x 91 cm, 1985 thumbnail
Death of Ideology, plaster, earth, paint, wood, tar, and photograph, 97 x 76 cm, 1988 thumbnail
Procession, Skopje, Ilfochrome, 100 x 140 cm, 2008 thumbnail
Descending from the Cross (Borut-Volgelnik), egg tempera on wood, silver leafs, bitumen, plaster, 93 x 72 cm, 2011 thumbnail
Dada 4-5 magazine (1918), paper, silver leaves, cloth, tar, plaster, 40 x 31 cm, 2010 thumbnail
Icon Cross (Andrej Savski), mixed media, 106 x 93 cm, 2004 thumbnail
Yellow Monochrome (Miran Mohar), Lego bricks, wood, fabric, 91 x 71 x 6 cm, 2007 thumbnail
Retroavantgarda, mixed media, 300 x 600 cm, 2000 thumbnail
Like to Like / Mount Triglav, photographic reconstruction of the group OHO – action: Mount Triglav from 1970 (Milenko Matanović, David Nez, Drago Dellabernardina), 2004 thumbnail
NSK Embassy Moscow (in collaboration with Apt-Art International and Ridzhina Gallery), 1992 thumbnail
Golden Smile, C-print, 130 x 80 cm, 2003. Photo: Tomaž Gregorič thumbnail
Namepickers (In cooperation with: Marina Abramovic), C-Print, 109 x 97 cm, 1998. Photo: Bojan Brecelj thumbnail
NSK Garda / Graz (in collaboration with Austrian Army), Forum Stadtpark, iris print, 140 x 100 cm, 6. 10. 2001. Photo: Wolfgang Croce thumbnail
NSK Garda / Zagreb (in collaboration with Croatian Army), Museum of Contemporary Art, Zagreb, iris print, 140 x 100 cm, 10. 12.2000. Photo: Igor Andjelič thumbnail
Ursula Noordnung Bear, plush teddy bear with embroidered armband (Malevich cross), approximately 39 x 21 x 16 cm, 2000 thumbnail
Malevich Between Two Wars (Dušan Mandič), mixed media, 77 x 51 cm, 1984-2001

Malevich Between Two Wars (Dušan Mandič), mixed media, 77 x 51 cm, 1984-2001

Black Square on Red Square (Moscow), colour photograph, 120 x 112 cm (framed), 1992-1997. Photo: Kineton Pictures

Black Square on Red Square (Moscow), colour photograph, 120 x 112 cm (framed), 1992-1997. Photo: Kineton Pictures

Mistery of the Black Square, colour photograph, 160 x 140 cm, 1995. Photo: Andres Serrano

Mistery of the Black Square, colour photograph, 160 x 140 cm, 1995. Photo: Andres Serrano

Corpse of Art, mixed media installation (acrylic resin on wood, clothes, wax, flowers), variable dimensions, 2003-2004

Corpse of Art, mixed media installation (acrylic resin on wood, clothes, wax, flowers), variable dimensions, 2003-2004

IRWIN Live, installation/performance at CCA, Warsaw, 1998. Guest artist: Zbigniew Libera

IRWIN Live, installation/performance at CCA, Warsaw, 1998. Guest artist: Zbigniew Libera

The Heart of Transcentrala, exhibition view at Ludwig Museum, Budapest, 1996

The Heart of Transcentrala, exhibition view at Ludwig Museum, Budapest, 1996

IRWIN Icons, exhibition view at Venice Biennal 2003, 1993 - 2003

IRWIN Icons, exhibition view at Venice Biennal 2003, 1993 - 2003

Red Districts, blood, coal, oil on canvas, wood, marble, aluminium, gold, iron, glass, 350 x 420 x 40 cm, 1987

Red Districts, blood, coal, oil on canvas, wood, marble, aluminium, gold, iron, glass, 350 x 420 x 40 cm, 1987

Blood & Loyalty, wood, tar, glass, oil on canvas, 71 x 91 cm, 1985

Blood & Loyalty, wood, tar, glass, oil on canvas, 71 x 91 cm, 1985

Death of Ideology, plaster, earth, paint, wood, tar, and photograph, 97 x 76 cm, 1988

Death of Ideology, plaster, earth, paint, wood, tar, and photograph, 97 x 76 cm, 1988

Procession, Skopje, Ilfochrome, 100 x 140 cm, 2008

Procession, Skopje, Ilfochrome, 100 x 140 cm, 2008

Descending from the Cross (Borut-Volgelnik), egg tempera on wood, silver leafs, bitumen, plaster, 93 x 72 cm, 2011

Descending from the Cross (Borut-Volgelnik), egg tempera on wood, silver leafs, bitumen, plaster, 93 x 72 cm, 2011

Dada 4-5 magazine (1918), paper, silver leaves, cloth, tar, plaster, 40 x 31 cm, 2010

Dada 4-5 magazine (1918), paper, silver leaves, cloth, tar, plaster, 40 x 31 cm, 2010

Icon Cross (Andrej Savski), mixed media, 106 x 93 cm, 2004

Icon Cross (Andrej Savski), mixed media, 106 x 93 cm, 2004

Yellow Monochrome (Miran Mohar), Lego bricks, wood, fabric, 91 x 71 x 6 cm, 2007

Yellow Monochrome (Miran Mohar), Lego bricks, wood, fabric, 91 x 71 x 6 cm, 2007

Retroavantgarda, mixed media, 300 x 600 cm, 2000

Retroavantgarda, mixed media, 300 x 600 cm, 2000

Like to Like / Mount Triglav, photographic reconstruction of the group OHO – action: Mount Triglav from 1970 (Milenko Matanović, David Nez, Drago Dellabernardina), 2004

Like to Like / Mount Triglav, photographic reconstruction of the group OHO – action: Mount Triglav from 1970 (Milenko Matanović, David Nez, Drago Dellabernardina), 2004

NSK Embassy Moscow (in collaboration with Apt-Art International and Ridzhina Gallery), 1992

NSK Embassy Moscow (in collaboration with Apt-Art International and Ridzhina Gallery), 1992

Golden Smile, C-print, 130 x 80 cm, 2003. Photo: Tomaž Gregorič

Golden Smile, C-print, 130 x 80 cm, 2003. Photo: Tomaž Gregorič

Namepickers (In cooperation with: Marina Abramovic), C-Print, 109 x 97 cm, 1998. Photo: Bojan Brecelj

Namepickers (In cooperation with: Marina Abramovic), C-Print, 109 x 97 cm, 1998. Photo: Bojan Brecelj

NSK Garda / Graz (in collaboration with Austrian Army), Forum Stadtpark, iris print, 140 x 100 cm, 6. 10. 2001. Photo: Wolfgang Croce

NSK Garda / Graz (in collaboration with Austrian Army), Forum Stadtpark, iris print, 140 x 100 cm, 6. 10. 2001. Photo: Wolfgang Croce

NSK Garda / Zagreb (in collaboration with Croatian Army), Museum of Contemporary Art, Zagreb, iris print, 140 x 100 cm, 10. 12.2000. Photo: Igor Andjelič

NSK Garda / Zagreb (in collaboration with Croatian Army), Museum of Contemporary Art, Zagreb, iris print, 140 x 100 cm, 10. 12.2000. Photo: Igor Andjelič

Ursula Noordnung Bear, plush teddy bear with embroidered armband (Malevich cross), approximately 39 x 21 x 16 cm, 2000

Ursula Noordnung Bear, plush teddy bear with embroidered armband (Malevich cross), approximately 39 x 21 x 16 cm, 2000

Group founded in 1983.

Dušan Mandič, born in 1954, in Ljubljana, Slovenia.
Miran Mohar, born in 1958, in Novo Mesto, Slovenia.
Andrej Savski, born in 1961, in Ljubljana, Slovenia.
Roman Uranjek, born in 1961, in Trbovlje, Slovenia.
Borut Vogelnik, born in 1958, in Kranj, Slovenia.

IRWIN works in a complex and subtle way with connections between art and ideology. Their work brings together art historical references, such as Romanticism, Modernism or the Suprematism of Malevich, with symbols taken from religion or totalitarian political systems, for example from the Nazi era or from Soviet social realism. IRWIN has over time built a complex system of cross-references between their works and the works of other artists. The starting point for IRWIN is that different symbols have different meanings depending on place and time. In order to examine and discover the meaning and the function of a symbol IRWIN starts work according to a method or process they have developed themselves, the retro principle. This method means that in order to understand the meaning and function of a symbol one needs to investigate its origin. A reconstruction of the meaning of the symbol implies that the meaning of the symbol is changed retrospectively through the fact that IRWIN juxtaposes and appropriates the symbols into new contexts. Irwin is also a cofounder of NSK in 1984.

Selected solo exhibitions

2017
IRWIN. How to Read a Map, Kunsthaus Centre d’art Pasquart, Biel/Bienne, Switzerland.
NSK from Kapital to Capital, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.
NSK State Pavilion, 57th Venice Biennale, Venice, Italy.

2016
1983-2016, Galerija Gregor Podnar, Berlin, Germany.
NSK from Kapital to Capital, Garage, Museum of Contemporary Art, Moscow, Russia.
NSK from Kapital to Capital, Van Abbemuseum, Eindhoven, Netherlands.
IRWIN. Planting seed. Łaźnia Centre for Contemporary Art in Gdansk, Gdansk, Poland.

2015
IRWIN: Wo denkst du hin?!, Kunsthalle Osnabrück, Osnabrück, Germany.
NSK from Kapital to Capital, Museum of Modern Art, Ljubljana, Slovenia.

2014
NSK Folk Art Collection in the permanent exhibition, Ethnographic Museum, Ljubljana, Slovenia.
Corpse of Art, A proposal by Thibaut de Ruyter, NuN, Berlin, Germany.
State In Time, Kulturný dom B31, Leipzig, Germany.
Dreams and Conflicts, curated by Julia Draganović and Claudia Löffelholz, Galleria Civica di Modena, Dreams and Conflicts, Galleria Civica di Modena, Modena, Italy.
IRWIN. The Uninterrupted Production of the Object, Gallery Rampa, Istanbul, Turkey.

2013
Dušan Mandić: Private D.M. Die Welt ist Schön (The World is Beautiful), solo exhibition, City Art Gallery Ljubljana, Ljubliana, Slovenia.
NSK Electronic Consulate New York, IRWIN in collaboration with e-flux, e-flux, New York, USA
Back to the USA, Škuc Gallery, Ljubljana, Slovenia.
Premiere of film: First NSK Citizens Congress, Berlin, Kino Dvor, Ljubljana, Slovenia.
IRWIN – State in Time, during NSK Folk Art Biennial, Leipzig, Germany.
DADA SOULÈVE TOUT (together with Rainer Ganal), Elaine Levy Project, Brussels, Belgium.
Was ist Kunst Hugo Ball, Galerija Gregor Podnar, Berlin, Germany.

2012
Time for a New State, Stacion Center for Contemporary Art, Prishtina, Kosovo.
Irwin – NSK State in Time, LaRete Art projects, Reggio Emilia, Italy.
Asymetric Europe, Museum of Contemporay Art Novi Sad, Novi Sad, Serbia.
A Bigger Splash, Tate Modern, London, UK.
Fallen imperials/forgotten spaces-reoccupied!, Steirischer Herbst, Pavelhaus, Laafeld, Austria.
One Sixth of the Earth / Ecologies of Image, ZKM | Museum of Contemporary Art, Karlsruhe, Germany.
Sculpture Quadrennial Riga 2012, Riga, Latvia.
Construction of the context, KUMU, Art Museum of Estonia, Tallinn, Estonia.
Irwin – Time for a new state / NSK – Folk Art, Calvert 22 Foundation, London, UK.
NSK Passport Office, MoMA Print Studio, New York City, USA.
Was ist Kunst Hugo Ball, Elaine Levy Project, Brussels, Belgium.

2011
Was ist Kunst Hugo Ball, Galerija Gregor Podnar, Ljubljana, Slovenia.
NSK Passport Holders, Acik Ekran New Media Center, Instanbul, Turkey.
NSK Folk Art, SKUC Gallery, Ljubljana, Slovenia.
East Art Map, Atelje Dado, Cetinje, Montenegro.

2010
First NSK Citizens Congress, Haus der Kulturen der Welt, Berlin, Germany.
State in Time, Dolenjski museum, Novo Mesto, Slovenia.
Was ist Kunst Hugo Ball, Cabaret Voltaire, Zürich, Switzerland.
The Eye of the State, The Israeli Center for Digital Art, Holon, Israel. (cat.)
NSK Passport Holders, Center for Contemporary Art, Lagos, Nigeria.

2009
NSK Passport Holders, Moderna Galerija/T5, Ljubljana, Slovenia.
NSK Passport Holders, Tri Postal, Lille, France.
Was ist Kunst, Kalmar Konstmuseum, Kalmar, Sweden.
State in Time, Kunsthalle Krems, Austria.
Paintings and Photographies, Galerie Grita Insam, Vienna, Austria.

2008
Procession,Studio Golo brdo, Rovinj, Croatia.
Monochromes, Galerija Gregor Podnar, Berlin, Germany.
Black Square on the Red Square, The Crouch  – Art Basement Project if the Institute of Contemporary Art, Sofia, Bulgaria.
State in Time, Aarhus Kunstbygning, Aarhus, Denmark.
East Art Map, Pinchuk Foundation, Kiev, Ukraine; Institut National d’Historie de l’Art, Paris, France.

2007
Monokromi, Galerija Gregor Podnar, Ljubljana, Slovenia.
History Re-constructed, Culturgest, Lisbon, Portugal.

2006
East Art Map, Collegium Artisticum, Sarajevo, Bosnia and Herzegovina.
Like to Like, Galerie Grita Insam, Vienna, Austria.
Selected Works, Erika Deak Gallery, Budapest, Hungary.
Birds of a Feather, Akank sanat Gallery, Instanbul, Turkey.

2005
Like to Like, RMIT Gallery, Melbourne, Australia.
East Art Map, Karl Ernst Osthaus Museum, Hagen, Germany.
Like to Like, Gheto, Split, Croatia.
Neil Rector NSK Collection, (together with NSK), Frye Art Museum, Seattle, USA.
Like to Like, Art Centre Lazareti, Dubrovnik, Croatia.

2004
Hysteria and two of her female friends, Galerija Škuc, Ljubljana.
Like to Like, Artspace, Sydney, Australia.
Like to Like, Experimental Art Foundation, Adelaide, Australia.
East Art Map Like to Like, Cornerhouse, Manchester, UK

2003
Retroprincip, Künstlerhaus Bethanien, Berlin; Karl Ernst Osthaus Museum, Hagen; Museum of Modern Art, Belgrade, Serbia.
Icons, Galerie Inge Baecker, Cologne, Germany.

2002
NSK Garda Priština, Exit, Prishtina, Kosovo.
Rekapitulacija, Museum Ostdeutsche Galerie, Regensburg, Germany.
Sound Icons, Galleria Bonomo, Rome, Italy.

2001
NSK: Retro–Spection, Halsey Gallery, College of Charleston, Charleston, USA.
NSK Guard Tirana, Museum in Progress, Vienna, Austria.
Self-portraits and Projects, Retroavantgarde, Galleria Bonomo, Bari, Italy.

2000
Self-portraits and Projects, Galerija Visconti Fine Art, Ljubljana, Slovenia.
Irwin Live, Museum of Modern Art, Ljubljana, Slovenia.
Privatization of Time Interiors of the Planit

1999
Self–portraits and Projects, Erika Deak Gallery, Budapest, Hungary.

1998
Three Projects, ICA Ujazdowski Castle, Warsaw, Poland.
Transnacionala Vienna, Galerie Grita Insam, Vienna, Austria.

1997
Transnacionala, Galerie Inge Baecker, Cologne, Germany.
Interior of the Planit, Tramway, Glasgow, UK.
Transnacionala Barcelona, Sala Montcada de la Fundacio La Caixa, Barcelona, Spain.

1996
Transnacionala (conceptualized journey from  East to the West Coast), project “Conversation at the Castle”, Atlanta, USA.
Interior of the Planit, Ludwig Muzeum, Budapest, Hungary; Moderna Galerija, Ljubljana, Slovenia.

1995
The Interiors of the Planit, Anonimus Gallery, Ljubljana, Slovenia.
Project Proposal for the NSK Embassy in Beijing, Galerie Bleich-Rossi, Graz, Austria.

1994
Project Proposal for the NSK Embassy in Beijing, Galerie Inge Baecker, Cologne, Germany.
NSK Konzulat Umag, Galerija Dante, Umag, Slovenia.

1993
Irwin-NSK Embassy Moscow Interior, Center on Contemporary Art, Seattle, USA.
Transcentrala, Old Poverplant, Ljubljana, Slovenia.

1992
La Geografia del Tempo, Galleria Carini, Florence, Italy.
NSK Embassy – Moscow, Apt Art and Ridzina Gallery, Moscow, Russia.

1991
Kapital, Pittsburgh Center for the Arts – National Gallery, Pittsburgh; New Langton Arts, San Francisco, The Institute for Contemporary Arts, Clocktower Gallery, New York City; District of Columbia Arts Centre, Washington D.C., USA.

1990
Kapital, Galerija Equrna, Ljubljana, Slovenia.

Selected group exhibitions

2017
The  Future of Borders, Autostrada Biennale, Prizren, Kosovo.
OSTRALE 17 – Biennale für zeitgenössische Kunst,
Dresden, Germany.
The Heritage of 1989
. Case Study: The Second Yugoslav Documents Exhibition, Moderna galerija, Ljubljana, Slovenia.
The adventure of discovery, Balassi Institute, Ljubljana, Slovenia.
NSK State Art: New York, The Impossible Return, The James Gallery, New York, US.
Symptoms of Society, Guandong Museum of Art, Guangzhou, China.

2016
The Material Body of Art, Galleria A plus A, Venice, Italy.
VENICE INTERNATIONAL PERFORMANCE ART WEEK – 3rd edition, Venice, Italy.
Cold Front from the Balkans, Pera Museum, Istanbul, Turkey.
Rotterdam Cultural Histories #9: Manifesta 1 Revisited, Witte de With Center for Contemporary Art, Rotterdam, Netherlands.
Beyond the Globe | 8th Triennial of Contemporary Art – U3, Moderna Galerija/Museum of Modern Art, Ljubjana, Slovenia.
Low Budget Utopias, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.
Equrna Pop, Equrna Gallery, Ljubljana, Slovenia.
The Painting Machine, Moderna Galerja, Ljubljana. Slovenia.
Apprentice/Master, In Dialogue with Conceptualism, Galerija Vžigalica, Ljubljana, Slovenia.
Intermarium, Futura Prague, Prague, Czech Republic.
Passion. Fan Behaviour and Art, Ludwig Museum of Contemporary Art Budapest, Budapest, Hungary; Kunsthaus Nürnberg, Nürnberg, Künstlerhaus Bethanien, Berlin, Germany.
The 1980s. Today’s Beginnings?, Van Abbemuseum, Eindhoven, Netherlands.
White Screen Black Hole, Ariel, Istanbul, Turkey.
Black-White/Dark-Light, Visconti Fine Art, Ljubljana, Slovenia.
Inside Out – Not so White Cube, Mestna Galerija, Ljubljana, Slovenia.
Kilometre of Sculpture 2015 Võru, KoS, Vöru, Estonia.
Hommage à Malevich – Black Square Continued, Mestna Galerija, Ljubljana, Slovenia.
Yu-Art , Galerija Visconti, Ljubljana, Slovenia.
Some Say You Can Find Happiness There, Visual Culture Research Center, Kiev, Ukraine.
Signals Above The City, Museum of Modern and Contemporary Art Rijeka, Rijeka, Croatia.
The magic of art, protagonists of Slovenian contemporary art 1968-2013, Gliptoteka, Zagreb, Croatia.
Istria Contemporanea, Monfort, Portoroz, Slovenia.
Workers leaving the studio, looking away from socialist realism, National Gallery of Arts, Tirana, Albania.
Grammar Of Freedom / Five Lessons: Works From Arteast 2000+ Collection, Garage Museum of Contemporary Art, Moscow, Russia.
The Magic of Art / The protagonists of contemporary Slovenian art 1968–2013, Künstlerhaus Vienna, Vienna, Austria.
Art Has No Alternative, tranzit.sk, Bratislava, Slovakia.

2015
Crises and New Beginnings: Art in Slovenia 2005–2015, MSUM, Museum of Contemporary Art, Ljubljana, Slovenia.
Passion. Fan Behaviour and Art, Künstlerhaus Bethanien, Berlin, Germany.
Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed as Art (After Bochner), CAC Bukovje/Landskrona for Kilometre of Sculpture, Võru, Estonia.
Die Magie Der Kunst. Protagonisten der slowenischen Gegenwartskunst 1968–2013 Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection, Garage Museum of Contemporary Art, Moscow, Russia.
Art Has No Alternative, (An Archive of Artists in Action), tranzit.sk, Bratislava, Slovakia.
Osage Art Foundation presents: Just as money is the paper, the gallery is the room
, Osage Shanghai, Shanghai, China.

2014
Just as Money is the Paper, the Gallery is the Room, Osage Gallery Shanghai, China.
The Contemporary Collection, Ludwig Museum of Contemporary Art – Budapest, Hungary.
Back to Black, Galerija Equrna, Ljubljana, Slovenia.
Only the Dead have Seen the End of War, 4th International Canakkale Biennial, Canakkale, Turkey.
September Show, Galerie Gregor Podnar, Berlin, Germany.
Le Mur, La collection Antoine de Galbert, La Maison Rouge, Paris, France.
Century of the Bed, Galerie Hilger Contemporary, Vienna, Austria.
Crossings, International Centre of Graphic Arts (MGLC), Ljubljana, Slovenia.
On Paper, Erika Deak Gallery, Budapest, Hungary.
Artelier Contemporary Graz Zu Gast Bei Hilger Next, Hilger NEXT, Vienna, Austria.
Osage Art Foundation presents: Just as money is the paper, the gallery is the room, Osage Shanghai, Shanghai, China.
Ostwärts. Freiheit, Grenzen, Projektionen, Ludwig Forum Aachen, Aachen, Germany.
curated by_vienna, 2014, The Century of the Bed. Points of View, curated by Alenka Gregorič Galerie Ernst Hilger, Vienna, Austria.
Ars Aevi Collection in Progress, Centro Per L’arte Contemporanea Luigi Pecci, Prato, Italy.
The New International, Garage Center for Contemporary Culture, Moscow, Russia.
Politicization of Friendship, MSUM, Ljubljana, Slovenia.
Face to Face with the Monument, Wiener Festwoche, Vienna, Austria
The Magic of Art – the Protagonists of Slovene Contemporary Art 1986-2013, Vila Manin, Passariano di Codroipo, Italy.
Politics Within, Center for Contemporary Arts, Celje, Slovenia.
Hans in Luck – Art and Capital, Lehmbruck Museum, Duisburg, Germany.
Japonism, Nippon Gallery, New York City, USA.
State Abed, Gallery of Arts, Split, Croatia.
What is to Come Has Already Arrived Centro, Andaluz de Arte Contemporáneo – CAAC, Sevilla, Spain.

2013
The Museum of Arte Útil, Van Abbemuseum, Eindhoven, Netherlands.
Camere, RAM, Radioartemobile, Rome, Italy.
The Museum of Arte Útil, Van Abbemuseum, Eindhoven, Netherlands.
Radical Conservatism, Castlefield Gallery, Manchester, UK.
Power of the Powerless, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany.
Art Turning Left: How Values Changed Making 1789-2013, Tate Liverpool, Liverpool, UK.
1:1, Museum of Contemporary Art Metelkova (+MSUM), Ljubljana, Slovenia.
… Was ist Kunst? … Resuming a Fragmented History, Künstlerhaus, Halle für Kunst & Medien (KM–Graz), Graz, Austria.
Other People’s Problems: Conflicts and Paradoxes, Herzliya Museum of Contemporary Art, Israel.
Regionalism, Salzburger Kunstverein, Salzburg, Austria.
A Bigger Splash, Tate Modern, London, UK.
Sedanjost in prisotnost: ponovitev 3 – Ulica, MSUM, Ljubljana, Slovenia.
A.C.T. & Democ(k)racy, La Criée Contemporary Arts Centre, Rennes, travel to Serbian Cultural Center, Paris, France.
Monday Begins on Saturday, Symposium, Bergen Assembly, Bergen, Norway.
The Present and Presence: Repetition 3 – The Street Twente Biënnale: Identifying Europe, Rijksmuseum, Twenthe, Enschede, Netherlands.
Critique and Crisis: Art in Europe since 1945, P
alazzo Reale, Piazza del Duomo, Milan, Italy.
Critique and Crisis: Art in Europe since 1945,
KUMU, Tallin, Estonia.
Power of the Powerless,
Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany.
4th Former West Research Congress: “Documents and Prospects” NSK Folk Art Biennial,
Leipzig, Germany.
Artisterium “Am I You?”,
Tbilisi, Georgia.
Black Square,
Australian Experimental Art Foundation, Adelaide, Australia.

2012
Asymetric Europe, Museum of Contemporay Art, Novi Sad, Serbia.
Performance Year Zero, Tate Modern, London, UK.
Sculpture Quadrennial 2012 Riga, Riga, Latvia.
Ein 7-Tage/24-Stunden Marathon-Camp zu künstlerischen Strategien in der Politik und politischen Strategien in der Kunst Manifesta 9, Genk, Belgium.
Collaborations & Interventions, CC Andratx,
Mallorca, Spain.
Art Histories, VOX,
Montreal, Canada.
One Sixth of the Earth. Ecologies of image,
MUSAC, Castilla y León, Spain.
WEIYTH: Moving Forwards, Counting Backwards, 
MUAC-Museo Universitario Arte Conetmporáneo, Mexico City, Mexico.
A Bigger Splash,
Tate Modern, London, UK.
The 2nd Ural Industrial Biennial of Centemporary Art
Ekaterinburg, Russia.
The Present and Presence NSK, Chelsea Space,
Chelsea College of Art and Design, London, UK.

2011
Night of Museums and Galleries, Plovdiv, Bulgaria.
The Global Contemporary. The Art Worlds after 1989, ZKM – Center for Art and Media, Karlsruhe, Germany.
Dada Moscow, Artplay Design Center, Moscow, Russia.
Ensayos de geopoetica, Mercosur Biennal, Porto Alegre, Brasil.
Impossible Community, The State Museum of Contemporary Art of the Russian Academy of Arts, Moscow, Russia.
A Slodown at the Museum The international, MACBA – Museum of Contemporary Art, Barcelona, Spain.
European Triennial of Small Sculpture,
Galerija Murska Sobota, Murska Sobota, Slovenia.
Il corpo metafora di un’esperienza,
CIAC – Centro Italiano Arte Contemporanea, Foligno, Italy.

2010
Things evoke feelings, CSW Center for Contemporary Art Ujazdowski Castle, Warsaw, Poland.
Taipei Biennial 2010, Taipei, Taiwan.
Wealth of Nations, Spike Island, Bristol, UK.
The Promises of the Past. A discontinuous history of art in Eastern Europe, Centre Pompidou, Paris, France.
Heimtat Donovina, Museum Moderner Kunst Kärnten, Klagenfurt, Austria.
Quartet – Four Biennials Reflected in Prints, International Centre of Graphic Arts (MGLC) curated by René Block, Ljubljana, Slovenia.

2009
La Fondazione Cassa di Risparmio di Modena, Italy.
3rd Moscow Biennial for Contemporary Art at Red October Chocolate Factory, Moscow, Russia.
Modernologies, MACBA, Barcelona, Spain, traveling to Museum of Modern Art, Warsaw, Poland.
A pair of Left Shoes, Bochum Musem, Germay, traveling to Museum of Contemporary Art of Zagreb, Croatia.
Utopics, 11e Exposition Suisse de Sculpture, Biel, Switzerland.
RE:akt! Reconstruction, Re-enactment, Re-reporting, MNAC, Bucharest, travelling to SKUC gallery, Ljubljana, and Museum of Modern and Contemporary Art, Rijeka, Croatia.
Europe XXL, Tripostal, Lille, France.

2008
1st Brussels Biennial for contemporary art, Brussels, Belgium.
Taipei Biennial, The Taipei Art Museum, Taiwan.
Medium Religion, ZKM, Karlsruhe, Germany.
Here is Every, Four Decades of Contemporary Art, MoMA, New York City, USA.
Signs of Change. Social Movement Cultures 1960s to Now, Exit Art, New York City, USA.
The Renaming Machine,
P74 Center and Gallery, Ljubljana, Slovenia.
Kontakt… Works from the Art Collection of Erste Bank Group,
Institute of Contemporary Art – Dunaujvaros, Hungary
Genau+Anders – Mathematik in der Kunst von Dürer bis Sol LeWitt,
MUMOK- Museum Moderner Kunst, Vienna, Austria.
Less is less and more is more, that´all, C
APC Musée d´Art Contemporain, Bordeaux, France.
The Art World,
Unit 40, London, UK.

2007
Erste Bank Collection, MoCAB Museum of Contemporary Art, Belgrad, Serbia.
Not-quite/Not-right, Galerija Herman Pečarič, Piran, Slovenia.
Grow Your Own, Palais de Tokyo, Paris, France.
Das Schwarze Quadrat. Hommage an Malewitsch, Hamburger Kunsthalle, Hamburg, Germany.
Not-quite/Not-right, Foto Galerija, Ljubljana, Slovenia.
Not-quite/Not-right, Pilonova Galerija, Ajdovščina, Slovenia.
Locally Localized Gravity, ICA Philadelphia, Philadelphia, USA.
One Stop, Tram, Tbilisi, Georgia.

2006
Eye on Europe, MOMA – Museum of Modern Art, New York City, USA. (cat.)
Kontakt … works from the Collection of Erste Bank Group, MUMOK, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria. (cat.)
Normalisation, Rooseum Center for Contemporary Art, Malmö, Sweden.
The Sun on the Wall, Arsenals, (Trajectory series, LCCA), Riga, Latvia.
Essence of Life Art, The State Russian Museum, St. Petersburg, St. Petersburg, Russia.
Interrupted HistoriesOn Difference 2, Stuttgart Kunstverein, Stuttgart, Germany.
Political Realities, Heidelberger Kunstverein, Heidelberg, German.

2005
Collective Creativity, Fridricianum, Kassel, Germany.
7th Sharjah biennial, Sharjah, United Arab Emirates.
Istanbul Biennial, Istanbul, Turkey.
Politike Slikarstva, Cankarjev dom, Ljubljana, Slovenia.

2004
Berlin – Moscow / Mocsow – Berlin, Historical Museum, Moscow, Russia.
Venture, Galerija Gregor Podnar, Kranj, Slovenia.
EV+A Biennial, Limerick, Ireland.
…and Others, Kyrgyz National Museum of Fine Art / Kurama Art Gallery, Bishkek, Kyrgystan.
The Post_Communist Condition, Kunst-Werke, Berlin, Germany.
The beauty of failure / The failure of beauty, Joan Miró Foundation, Barcelona, Spain.
Lodz Biennial, Warsaw, Poland.
Il Buon Governo dellArte, Modern and Contemporary Art City Museum, Bergamo, Italy.

2003
Individual Systems, Biennial of Venice, Venice, Italy.

2002
Museotopia, Karl Ernst Osthaus Museum, Hagen, Germany.
(Un)painted, Essel Museum, Vienna, Austria.
State Museum of Contemporary Art, Thessaloniki, Greece.

2001
U3, Vulgata, Museum of Modern Art Ljubljana, Slovenia.
Artisti Asuonati, Flash Art Museum, Trevi, Italy.
Europa 2000, Palazzo della Triennale, Milano, Italy.
Le Tribu delarte Oko in njegova resnica, Museum of Modern Art Ljubljana, Ljubljana, Slovenia.
Vulgata, N
euer Berliner Kunsverein, Berlin, Germany.
Jahresgaben 2001,
Kölnischer Kunstverein, Cologne, Germany.
2000+ Arteast Collection,
Kongresscentrum, Innsbruck, Austria.
Diesseits und Jenseits des Traums,
Sigmund Freud Museum, Wien, Austria.

2000
Das Fünfte Element/Geld oder Kunst, Kunsthalle Düsseldorf, Düsseldorf, Germany.
Osmica v horizontali, Cankarjev Dom, Ljubljana, Slovenia.
Lautre moitie de lEurope, Jeu de Paume, Paris, France.

1999
After the Wall, Moderna Museet, Stockholm, Sweden.
Stop the Violence, Art Academy in collaboration with MAK, Vienna, Austria.

1997
Istanbul Biennial, Instanbul, Turkey.
This Art is Recycled, Škuc Gallery, Ljubljana, Slovenia.
Alpenblicke, Kunsthalle Wien, Vienna, Austria.
U3, Museum of Modern Art Ljubljana, Ljubljana, Slovenia.

1996
Manifesta, Boyman Museum, Rotterdam, Netherlands.
Interpol, Institute for Contemporary Art and Architecture, Farbfabrik, Stockholm, Sweden.
Discord: Sabotage of Realities, Hamburg Kunstverein, Hamburg, Germany.

1995
The Collection of the P.A.R.A.S.I.T.E. Museum, Kunsthalle, Budapest, Hungary.

1993
Padiglione NSK, Biennale di Venezia, Venice, Italy.
Art in the Measure of the World, Kunsthalle Kiel, Kiel, Germany.

1992
Molteplici Culture, Convento di S.Egidio, Rome, Italy.
First Hand Art, Regina Gallery, Moscow, Russia.
Identität: Differenz, Neue Galerie, Graz, Austria.

1991
Slovenske Atene, Moderna Galerija, Ljubljana, Slovenia.
Vanderlieder, Stedelijk Museum, Amsterdam, Netherlands.

1990
Fra-Yu-Kult, Monastery Široki Brijeg, Lištica; 369 Gallery, Edinburgh, UK.
Team Spirit, Neuberger Museum, State University of New York at Purchase College, New York, USA.

Public Collections
Ludwig Museum, Budapest, Hungary.
Microcollection, Italy.
Museum of Modern Art, New York City, USA.
Essl Museum, Klosterneuburg, Austria.
Museum of Contemporary Art Skopje, Skopje, Macedonia.
Centre national des arts plastiques, Paris, France.
Centrum Sztuki Współczesnej Zamek Ujazdowski, Warsaw, Poland.
Allen Memorial Art Museum, Oberlin College, Oberlin, USA.
Kontakt, Viena, Austria.
Tate Collection, London, United Kingdom.
Fondazione Fotografia, Modena, Italy.